race

Tex-Mex Woman: Shaping an Identity Within Internal Dualities: Bi-national, Bi-lingual, Bi-cultural Struggles of Questioning Iden

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I use my art practice to express the dualities, issues, questions, feelings and conflicts of a bi-national, bi-culture, and bi-language woman identity - pain, belonging, struggles, cultural loss, self-esteem, acceptance, and inclusion. My practice transports the audience into the experience of being in my world - emotionally and physically - by utilizing Painting, Installation, Sculpture, and Photography. This is portrayed by using elements such as body language, facial expressions, objects, shadows, and nature. My use of iconography is important to represent both the Mexican and American cultures, inspired by the symbolic metaphors of Frida Kahlo. My depiction of dualities is influenced by Cindy Sherman and Ana Mendieta. The colors used in the work reference the national flags, culture and emotions. The materials, such as tissue paper and paper mache, interpret the Mexican handicraft and piƱatas, and chicken wire and wire fences relates to the barbed wire and fence of the U.S. and Mexico border. In the U.S., some of these issues are shared between the Chicanx, Latinx, immigrants, women, and minority communities. My work, as well as this paper, decolonizes art and is made to represent the people that resonate with it.

Tracing My Family: An Inward and Outward Look at Race and Multiculturalism

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This thesis paper is a written partner to my visual work that attempts to explore issues related to multiculturalism, otherness, and identity. Fueled by the desire to simultaneously unpack and connect with the layers of my own multiracial identity, my thesis paper investigates how a body of mixed-media oil painting work can explore a complex multilayered narrative of identity, representation, race, and family. In the paintings my immediate family members are the central subjects. The paintings serve as an investigation into perceivably atypical familial structures and the importance of representation of alternative stories of family, race, and identity. This thesis paper explores my extensive research into social constructs and codes, history, representation, Intersectionality, and mixed race identity in an attempt to contribute to a new dialogue in painting, one severely underrepresented in visual imagery and research today.