Emotions and their causes are difficult to define, as are the boundaries of what makes an illustration different from a work of craft or fine art. Regardless of medium, a shared image that interprets the everyday and serves a communicative function can be considered an illustration. By reproducing and placing embroidered work in non-traditional spaces, needlework can be viewed as a medium for communication and not simply a traditional craft technique. While tracing the importance of embroidery to my personal artistic practice and the historical importance of embroidery to the everyday lives of women around the world, I will argue that embroidered work has a place within the field of illustration. Using humor, illustrated products, and cathartic making to confront difficult subject matter, I will demonstrate how I and other contemporary illustrators are using a deeply personal perspective to connect with and question the world around us. My thesis project, Cry If You Want To, is an embroidery kit for the frequent cryer. Customizable embroidery patterns and instructional materials teach users to hand embroider images and phrases on a handkerchief that will let those around them know whether to tell a joke, call 911, or leave them the hell alone.