In this paper, I focus on the use of non-textual languages in Eastern aesthetics, in particular, the application of visual languages in graphic design. My thesis project discusses how minimalism in brand design can be used as a carrier to communicate and interact with the audience from three aspects: Graphic, Color, and Tactility. To do this, I explore various aspects of minimal brand design such as: the graphic application of the "Empty" theory in Japanese culture; the diversity of the definition and application of "White" in design colors; the user's interactive experience of tactility. Minimalism is not only simplicity but the combination of a work's core meaning and compact space.